Bitter
Classification
Font Technology
Variable Font with
1 axis
Weight (wght): 100–900
How To Use Bitter
To use Bitter in your web project, either search Google Fonts and use their embed
code or host the font on your server and use the CSS below. Note: fonts served by Google
Fonts may be missing some OpenType
features that are available in the original font.
Description
People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen. Motivated by her love for the pixel, Sol Matas designed Bitter. A "contemporary" slab serif typeface for text, it is specially designed for comfortably reading on any computer or device. The robust design started from the austerity of the pixel grid, based on rational rather than emotional principles. It combines the large x-heights and legibility of the humanistic tradition with subtle characteristics in the characters that inject a certain rhythm to flowing texts. Bitter has little variation in stroke weight and the Regular style is thicker than a usual ‘Regular’ style for print design. This generates an intense color in paragraphs, accentuated by the serifs that are as thick as strokes with square terminals. Each glyph is carefully designed with an excellent curve quality added to the first stage of the design, that was entirely made in a pixel grid. The typeface is balanced and manually spaced to use very few kerning pairs. To contribute, see github.com/solmatas/BitterPro .
Designer
Sol Matas
Sol lives and breathes type design in her beloved adopted city of Berlin. From her sunny studio, she collaborates with an international type and design community. Type design found and claimed her during her formative years at Universidad de Buenos Aires. She mingled and shared classes with architects, and those technical ideas infused her design methodology with the functional precision of an engineer. After spending time at Saatchi & Saatchi, she set out on her own, and formed a new studio. Client projects have led her to research glyphs for Cyrillic, Greek, Oriya, and Devanagari, uncovering the history and meaning of the strokes.
Copyright
Copyright 2011 The Bitter Project Authors (https://github.com/solmatas/BitterPro)
OpenType Features
Related Fonts
Bitter regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
We are such stuff as dreams are made on, and our little life is rounded with a sleep. Be not afeard; the isle is full of noises, sounds, and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments will hum about mine ears.
, : ; ? ! " “ ” ' ‘ ’ « » ′ ″ ( ) [ ] { } 〈 〉 - – — ‒ ― / | ⁄ … • · § ¶ * ~ ^ ° © ® ™
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
1/2 1/3 2/3 3/4 5/8 15/16 1234/5678
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Th
ch
ct
ffj
fb
fh
fï
fì
fj
fk
ft
st
/
0
1
2
3
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5
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9
ffi
ffi
ffl
ffl
ff
ff
fi
fi
fl
fl
No.
1a
2o
x
0
1
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0
Bitter italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
We are such stuff as dreams are made on, and our little life is rounded with a sleep. Be not afeard; the isle is full of noises, sounds, and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments will hum about mine ears.
, : ; ? ! " “ ” ' ‘ ’ « » ′ ″ ( ) [ ] { } 〈 〉 - – — ‒ ― / | ⁄ … • · § ¶ * ~ ^ ° © ® ™
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
0123456789
1/2 1/3 2/3 3/4 5/8 15/16 1234/5678
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Th
ch
ct
ffj
fb
fh
fï
fì
fj
fk
ft
st
/
0
1
2
3
4
5
6
7
8
9
ffi
ffi
ffl
ffl
ff
ff
fi
fi
fl
fl
No.
1a
2o
x
0
1
2
3
4
5
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8
9
0